Archive for August, 2012

Friday Favorites – Inspirational link round-up

friday favorites

haha, Friday Favorites re-run (from just last week) because somehow this post got deleted.  

I purchased this painting by Emily Rickard and it arrived this week. I’m in love, it just makes me so happy to look at.

Check out this public art installation where little sculptural bronze hands were posted all over central Wellington, offering little gifts to whomever sees them. I really wish the makers of this would start selling those little hands. I’d buy a bunch and put them up all over DeKalb. Check out the link for more pictures and a video.

I made this little gnome from a free paper gnome template, designed by 3EyedBear, via howaboutorange

Homemade Wendy’s Frosty, this needs to be made soon.

Poster for Scholastic

I have a few books on color (including the Color Index) but sometimes when I’m working on a project and need some color inspiration I turn to my flickr favorites. This poster by andrea_daquino was the color inspiration for my beaded necklaces.

How great are these architural stamps by The Steam Whistle Press? via design sponge

Serious #artomat loot! L-R John Gall, Circe Dunnell, and Pascale Hulin

Yesterday we drove out to Kishwaukee Community College to buy some artwork! Yes, I purchased 3 original pieces from the artomat machine, outside of the library and it was a stacked pack with work from (L-R) John Gall, Circe Dunnell, and Pascale Hulin. If you haven’t visited the machine, it is treasure for this area, and I’d encourage you to check it out.

I love this picture from Chau’s Houston hand drawn windows. My nephew has some crayons or markers that are meant for coloring on windows and I thought it would be fun to get some. But after seeing this white only picture, I HAVE to find some window markers, STAT!

Fuji Image Transfer

Tiffany Teske is a superstar and has been featured and published in several magazines. One of those publications is Cloth, Paper Scissors and in the Nov/Dec issues from last year she was featured sharing her processes for fuji image transfer. As I explained yesterday, I have long wanted to explore emulsion transfer lifts and signed up for one of her image transfer classes thinking that is what we would learn. Last minute I realize that it wasn’t emulsion transfer after all, but as fate was working on my side, the class ended up touching on emulsion lift (enough to figure it out and do on my own later) AS WELL AS learning an entirely new-to-me technique that I think is a bit more involved and interesting than emulsion transfer, so I really lucked out. BOTH techniques ended up being something that I could do at home on my own, and didn’t even know it before.
polaroid colorpack II land camera
The image transfer and emulsion transfer techniques were something that was originally done with Polaroid films. Not all Polaroid film can do this and that was what prevented me from trying it myself at home. Since Polaroid has stopped production on their instant films, Fuji (and The Impossible Project) have picked up where they left off and started producing many films that can fit in Polaroid cameras. When people think of Polaroid film nowadays, they mostly think of the point and shoot and pop out pictures that develop in your hands, shake it like a Polaroid picture! But these are, for the most part, not the types of film you would use for these techniques. Land Cameras like the one pictured above and below, that take pack peel apart film. Fuji now produces 100 film that will fit Polaroid Land cameras. This is the type of film we used for the class, and can be used for both image transfers as well as emulsion lifts.
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It wasn’t until the class that I realized that this camera and the film I had been buying already, would work for the technique I’d been dying to try out. Sometimes when I feel really dumb I picture myself, walking down the sidewalk, whistling a happy tune, joy in my heart but not a brain in my head, when suddenly from out of no where a brick comes flying at me and hits me in the head, wherein a trip to the ground. Finding out that I could do emulsion transfers with a camera and film I already had on hand felt like that. Long ago, after reading up on the emulsion transfer lift process and realizing it was a camera and film I didn’t have access too, I just since imagined it was one of those really obscure things that probably also died with Polaroid.

I’ll quickly describe the techniques, but if you are interested to tack a crack at this yourself I’d encourage you to purchase a back copy of the Cloth, Paper Scissors where Tiffany shares her techniques, or just peruse the internets. There are fabulous tutorials and videos out there now. Yeah, if only I had thought to do that myself in the last 5 years, doh!

For the class we did not use cameras, but instead brought our own developed photographs and then Tiffany introduced this amazing machine called the Daylab Copy System Pro. It allows you to place any image on  a glass flatbed, load the pack film, and with mirrors and a flash, transfer your image onto the pack film. If you had a camera that loaded the pack film then you could do it straight from there. Normally, after an image is transferred to the film you would wait, then pull apart the film and negative/chemical side and find your photograph fully developed. In the image transfer technique you do not allow the film to develop to the photograph, and instead peel them apart immediately and place the negative/chemical side onto a porous surface where you want your image to transfer. For emulsion lift, you use the same exact film, let your pictures develop and soak them in VERY hot water until the “emulsion” with image separates from the backing paper. It is transparent and more plastic and durable as compared to polaroid which was more gel like and would rip and tear easily.
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During the class I was able to do about 10 transfers and I would say it is definitely something that takes practice, but is fun. The transfer image is more rugged and rough, so if you are looking for a pristine image this might not be the technique for you. Also, depending on your timing, as well as paper quality and texture, etc., your image can turn up wildly different. I do like a weathered image, but I also realized I had a harder time trying to accept that my images didn’t resemble my original closer. I loved everyone else’s grit, but had a hard time accepting that my own was “good enough”. I think this was because I chose pictures that I had taken and that were somewhat already close to my heart. If I was working straight from a camera, I’d never really know what the original would have looked like. I have so many ideas I’d love to explore more, like double exposures and writing and drawing on the surface of the paper before transferring the image. I would also LOVE to get my own Daylab. I’ll have to keep my eye open on ebay as well as at the flea markets and garage sales. I’m sad to think I might have even passed one of these up recently because I didn’t know exactly what it was.
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The above two photos are examples of image transfers that I did in class. The image on the right pages are the originals that I brought in, the bottom pictures on the left are the photos developed on the fuji 100 pack film (they should be fairly light because most of the chemistry should actually end up going into your image transfer) and then the top left images are my image transfers on watercolor paper.
So this happened today - fuji image transfers with Tiffany Teske
An instagram of the image transfers I did in class.

The class was great. I had fun experimenting, and learned way more than I expected… such as… did you know that the Impossible Project purchased the Polaroid factory that they work from, but not the chemistry, or instructions to create Polaroid film. They’ve had to hire their own chemists and have to figure things out for themselves. This is why Impossible Project film has to be protected from daylight when first developing, just like early on Polaroid film did. This is because they are working out the kinks on their own, just as Polaroid did when they first started out. Impossible Project film is not Polaroid film, but their own unique formulas. I find that fascinating.

Meeting IRL

Tiffany Teske and Robyn Lisle Illinois

So, this happened!

Probably about 5 years ago I was involved in an online creative community that sprung from the Etsy forums. It was called Create-A-Day and the challenge was to post the things you create on a daily basis to the group blog. The community started huge, but over time there was a small group of us that continued on and really connected.  A testimony to the friendship that we created is that 2 group blogs and 5 years later there are 6 of us that still keep in contact. We have such a variety of talents; Sheila (who I believe founded the original Create-A-Day group) and is now a wine connoisseur, Joon who has about a bajillion etsy shops and makes lovely handmade treasures and artwork, Bri who is an amazing and stylized designer, artist, traveler and student of the world, Stacy who is a crazy productive jewelry artist, and Tiffany who is an accomplished, published and professional photographer, mixed media artist and educator.

We are spread all around North America – from Banff, Canada, to Hawaii, and all over in between. Even though we often dream of a vacation where we all get together to get our creativity on, a few of us have had the opportunity to connect in the real world. I think Bri visited Sheila in Oklahoma and this last week, finally, finally, finally I got my chance to meet one of these lovely ladies.  Tiffany has been traveling with the Create Mixed Media Retreat and she was here to teach in the Chicagoland area. Since first meeting Tiffany online and finding out that she is also passionate about polaroid and instant photography I dreamed of being able to glean some of her wisdom and talent in person. I think back to all those years ago and never would have imagined that dream would actually come true! When I found out she was going to be teaching nearby I immediately knew I wanted to take a class in Emulsion Transfer, something I’ve been wanting to do for the last 15 years. I’d read about it online, but never had the right equipment, or materials and in the meantime, Polaroid went belly up. Little did I know that emulsion transfer still exists!

I wanted to take her class Wednesday evening, but naturally it was my crazy stressful week at work. On top of that, I had not prepared for the class in time and since I don’t have a car, it wasn’t something I could jet around over my lunch break and pick up the class supplies. I realized there was another image transfer class Sunday morning so I decided to sign up for that one instead. The night before the class, while reading the class description again, I suddenly realized it wasn’t emulsion transfer and kind of freaked out. As it turned out, everything worked out for the best because the image transfer with instant film was a technique I had never even heard of, AND, I was still able to learn the emulsion transfer technique as well.

I met up with Tiffany a little bit before the class Sunday morning for a quick breakfast in the hotel lobby. I was nervous and anxious, but really, once we met, it wasn’t weird at all. She was exactly like how I’ve known her online all these years, kind, talented, fun, beautiful and super friendly. I didn’t even have to resort to wearing one of these masks, like Sheila suggested ;) Still, I was a little star studded, but Tiffany has such a calm, laid back personality, she put me at ease. She shot the picture of us together and gifted me a pinhole camera kit. It was great to meet her finally, and I hope that someday the entire group really does get together for our own little creative retreat.

As for the class, and the things Tiffany taught and the pieces I created, I will share some of that tomorrow.  I’ll just leave this post saying that I am excited about these new techniques that I learned, so check back again tomorrow for more.

DIY Paper Clay Bead Necklaces

display necklaces
Hello friends, I started a little craft project recently and made these colorful, chunky beaded necklaces. They were really fun, easy and inexpensive to make, so I thought I’d share a little tutorial on how you can make your own paper clay bead necklaces. If you do end up making some, I’d love to see how they come out.

A few years back I was at an Old Navy store and they had some necklaces that caught my eye. They were bright and colorful, big, plastic, chunky beads and I was tempted to buy one, but something stopped me. I can’t remember if it was because they were all monochromatic color schemes, or all the beads were the same shape, or what, but I thought to myself “I could make a necklace like that for myself, but even more AWESOME.” I envisioned a statement piece of jewelry, with a variety of big chunky beads in different color schemes, that were candy like. Occasionally I would remember the necklace idea and would check out the craft stores for some big, colorful beads, but every time, there were no BIG beads, let alone any with a variety of BRIGHT colors and shapes. The closest I could find were some wood beads for little kids to learn to count on and string for fine motor skills. Fast forward to earlier this year and I remembered some paper clay I bought from my expedition into scary doll making and decided to take a crack at making my own necklace.
Alyssa and Dacia
Here are the necklaces I made being modeled on my lovely sister in law, Dacia on the right, and her lovely sister Alyssa on the left, to show how long I chose to make my necklaces.

Materials
Paper Clay
Mark Making Tools for clay (pencil, mesh, string)
Acrylic Paint
Paint Brush
Colored Pencils (optional)
Cardboard Box
Florist Wire
Drill or needle/thin knitting needle
Sandpaper
File
Clear Glaze Spray
Jewelry making supplies as needed for your taste
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The idea to use Paper Clay came to me because it is easily malleable, light and air dries. You can buy it fairly inexpensively at craft stores for around $9 for a pack. Just make sure that you keep it sealed after you open it. However, even if it does dry out, just put it in a ziplock bag with a little bit of water and kneed it back into shape.

I wanted to make my beads big and chunky so I just rolled them out to size. Some beads I rolled out to be round, some beads were more cylindrical, some were more flat. I used various items, such as a pencil and some old pottery tools, as well as mesh, to give my beads unique texture. Be creative! You can do whatever comes to mind. The instructions said to let the paper clay dry for 24 to 48 hours. Since my beads were rather thick I actually waited 4 days. The clay goes from being light gray to almost white when dry. Don’t worry about the beads being perfect, you can sand and file them once they are dry.
DSC_0946
Once my beads were dry I used my dad’s drill press to drill the bead holes. If you don’t have access to that, you could use a handheld drill, a dremel, or even poke a hole while the bead is still drying. If you decide to poke a hole through, I’d recommend letting the bead dry for a few hours first so that you don’t misshape the piece while pushing a needle through it. You need to think a little ahead at this point, when choosing a drill bit, or needle size. Think about how you want to thread your beads. At first I was thinking I would simply string them on a ribbon so I chose a fairly thick drill bit. After everything was said and done, I actually changed my mind and decided to use eye pins to give each bead a more finished look. My holes were then a bit too large for the eye pins so I had to widen the end ring a touch.
DSC_0939 DSC_0941

Here’s a little trick I learned taking metal and jewelry classes – when you drill a hole you’ll often get a bit of a rough edge on the back. Take a larger drill bit than the one are using and gently twist the tip into the hole as shown above. It will smooth away that edge and finish the piece.
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From here I sanded my beads to give them a more smooth surface. I also used the sand paper to give some flat edges, and a file to groove edges on others for added texture and character.
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When painting the beads I used a tool I had on hand to hold the bead so that I could paint the whole bead evenly. You could also use a pin/needle or thin knitting needle, etc. The paper clay is a very dry, porous clay and will take whatever you put on it very easily. Paint them solid or patterned. You could use acrylic paint, or let the translucent quality of watercolor work in your favor. Draw on the beads with colored pencils, sharpies, etc. You could even leave them plain for all white beads. The possibilities are endless.
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P1010172  P1010183
After each bead was decorated, I put them in this make-shift box as seen above. I cut slits in the side of the cardboard and fed the wire through so all the beads would be evenly spaced. Then I sprayed the beads with the clear glaze spray. I used Krylon, triple-thick crystal clear glaze and I can’t recommend this stuff enough. No matter how thick I sprayed it on, it would dry clear and fairly quickly, in 10-20 minutes. Make sure you do this outdoors or a place with plenty of air circulation and ventilation because the spray’s fumes are very strong. After I sprayed the beads I had to rotate them and spray them again, doing this about 4 or 5 times to get an even, high gloss.
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necklace
Once the beads are sealed with the spray they are good to go. You can assemble them however you like. Put them on a ribbon, a wire, or chain. Add different beads you have purchased. Have them close to the neck or hang low. Use your creativity. I’ve been wearing my necklaces now for a few weeks and they have held up against the test of Robyn Demolition, where in a I destroy most things I come in contact with. These were fun to make and I hope to see how you apply your own creativity to this project!


check out other diy/tutorials on Inspiration Junkie

‘Roid Week 2012 – Day Five

me on my bike

Day Five, this was the last picture of original polaroid film in that particular camera. I think I have a bunch more film on various cameras, as well as an unopened box yet. But it really is time for me to be thinking of buying some Impossible Project film. For this shot I asked Matt to just snap a picture of me on the bike as I was coming to him, shoulders down. Not too bad. Although, there was one shot on a different camera, taken first, that came out 100% blank. It’s bound to happen when any remaining real polaroid film is at least 5 years old.

I’ve been riding my bike to work and back (and sometimes home for lunch and back) almost every day this summer. This week has been kind of cool and today I was in gear for autumn, wearing a jean jacket and corduroys.

‘Roid Week 2012 – Day Four

Alyssa and Dacia

Another out take today. This is a picture of my sister in law on the right, and her sister. They were modeling necklaces for me and the camera lens didn’t open all the way :/ I’m posting this picture today instead of the full post I had intended because I came home to take a short one hour nap and next thing I know 4 hours later I wake up and remember that I never posted today’s instant. Yeah, you must think, “4 HOUR NAP?!” Well, let me explain I’m still getting over a pretty bad cold that I got several weeks back that then led into a wicked ear infection. I’m one week into a 10 day round of antibiotics. Good times. I just got my hearing back in my ear yesterday and apparently am still not back to a hundred percent yet.
My brother showed me this awesome wild plum tree.
Right after taking the picture above my SIL had to shoot off to work, but my brother arrived home and showed us this awesome “wild plum tree”. Iwish I had put my hand in this instagram shot, as a size reference. These little fruits are a little bit bigger in size than a quarter but absolutely sweet and juicy. The skin was tart just like a regular plum and it had a pit only slightly smaller than a regular, full sized plum. I had never seen something like that before.

High Five for Justice Duplex Style – ‘Roid Week Day 3

High Five for Justice Duplex Style

Above is an instant photograph taken earlier today with my fuji instax that I hope illustrates the AWESOMOSITY of today.

Earlier today was our final court date for the return of our substantial security deposit from our former landlord who illegally withheld it. By fate or coincidence (but definitely undeniable synchronicity) it is also the ONE YEAR anniversary of when we closed out our rental at the duplex and officially moved into our own home.

From the beginning I had these “feelings” that we were going to have to kiss our security deposit goodbye. Don’t get me wrong, we took care of the place over the 3+ years we lived there. We left the place in excellent condition, which the landlord did not dispute. If it had been up to me, I would have just walked away and kissed the grand goodbye, just to be rid of the guy. I’m more than thrilled to be a homeowner so we don’t have to come home and find out our landlord has not only entered our home without our permission but let his daughter and her friend in as well. Matt however, nor his parents, would allow for this injustice. Exactly one year later we are finally able to bring this mess to a close.
The judge was impressed with Matt’s case and told him so on two occasions. The case was a slam dunk on our side. Not only that (and this is where it gets good) but our landlord got publicly spanked by the judge for multiple glaring improper AND illegal business offenses that the judge said “could put him behind bars for 30 days right now.”

Although the judge didn’t reward us the extra penalty fee the landlord should have paid, the judge did agree that we were fully in the right on the case AND the penalty, and we will get all of our money that was owed to us back, as well as additional fees owed to us by court costs, etc. Having the additional penalty fee would have been nice, but knowing that the judge said we were right and the landlord was wrong is equally rewarding to me. Also, watching the judge come down on our old landlord and then have him shoot out of the courtroom with his tail between his legs was pretty priceless as well.

While Matt was up at the bench presenting the case, I was sitting with Matt’s parents in the audience. When it became obvious how the case was going down I was so psyched and relieved that we were going to win, I wanted to do the Bender fist pump (like above). That’s when I knew I had to get the picture of us high-fiving in front of the court house. In cases like this you hope that the judge will listen to all sides of the story, be impartial, and that justice will prevail, and today my friends, today it did!

First our cat is returned to us, then we win the case against our landlord. Good things happen in 3s, folks, and we just bought ourselves 3 lotto tickets.

‘Roid Week 2012 – Day Two

leaves

I recently found the picture above in a stack of polaroids outtakes I took at least 4 years ago. I think it was right around the time that Polaroid announced that they were stopping production. I remember at the the time still seeing plenty of Polaroid products on the shelves and thinking “yeah right, Polaroid will never be gone”. Aaaand, you can tell, by that stack of pictures that I took of this same thing over and over until I could get the image perfectly centered. The final piece was sent to Marta in either Portugal or France where she lives now, for one of our mail swaps.
A small portion of my polaroids from back when I'd burn through packs like Polaroid instant would never run out
Years later, Polaroid instant film is gone. It’s not entirely gone, in that The Impossible Project picked up one of the factories and is producing film. But long gone are the days of buying 30 shots for 20 bucks. Fortunately, there are also many fuji products that fit in a variety of Polaroid cameras, as well as their own instant cameras.

‘Roid Week 2012 – It’s still technically Monday

me, chris, geoff - 1982
With only a half an hour left of the day I realized “it’s ‘Roid Week“, jumped out of the bed and ran to my studio to start flipping through polaroids I could scan. Hopefully, I’ll find some goodies to share, and maybe even take a few new shots.
Looks like the last time I participated in ‘Roid Week was 2010, so it’s been a while. Check out the flickr set with other polaroid work of mine.
This picture is probably from 1982, my brother, sister and myself. I’m the middle child, so yeah, the one sporting the pig tails. I would be 5 years old here.
Polaroid has been part of my entire life.

I made some crocheted beads

I made some crocheted beads :)
This was one of those things that popped into my head while I was at work and then I just wanted to go home and work on it. I simply googled crochet beads tutorial and found this video. When I made my own, as usual – I rarely actually follow patterns, I used embroidery floss and a random small crochet hook. Also, instead of stuffing mine with fluff, I used a hard bead inside. Once I was 3/4 through I put the bead in and finished crocheting the rest with the bead inside. I’m guessing this is also how people do those crochet and lace covered river stones.